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Kamis, 30 Juni 2016
Minggu, 26 Juni 2016
Watch Cheek Peekers
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Sabtu, 25 Juni 2016
The Beast with Five Fingers (1946)
The Beast with Five Fingers is a 1946 horror movie from Warner Brothers, a studio that was not exactly renowned for such movies.
Francis Ingram (Victor Francen) is a famous and wealthy concert pianist who lives in a small village in Italy around about the beginning of the 20th century. His concert career was all but ended by a stroke that left him paralysed on one side. He can still play the piano, but obviously only with one hand. He lives in querulous and dissatisfied retirement. The only thing that keeps him going is the devotion of his nurse Julie Holden (Andrea King). Ingram is perhaps too dependent on her, to an extent that has been making her increasingly uncomfortable. She has finally decided to leave.
The other members of thus uneasy household are Conrad Ryler (Robert Alda), a once promising composer who now exists on Ingram’s charity plus whatever money he can make selling phony antiques to tourists, and Ingram’s secretary Hilary Cummins (Peter Lorre). Hilary has been a useful secretary but his real passion is for astrology. What keeps him in Ingram’s house is access to the house’s matchless library of astrological and occult volumes. Hilary dreams of rediscovering the lost wisdom of the ancients.
Hilary is a little eccentric and perhaps even just the tiniest bit unbalanced, but the same could be said for Francis Ingram. Conrad is perhaps not the most stable individual either. It’s the sort of household that you would expect to coalesce around a string but eccentric character like Ingram - Hilary and Conrad are essentially weak characters who would have trouble surviving on their own.
Ingram’s decision to alter his will has fateful consequences although it’s Julie’s threatened departure that is the catalyst for tragedy. Ingram is found dead at the foot of the staircase.
Ingram had only two living relatives, his brother-in-law Raymond Arlington (Charles Dingle) and Arlington’s son Donald (John Alvin). The Arlingtons are crass and greedy and never cared about poor old Ingram when he was alive but they are determined to get his money. That will stands in their way. They intend to challenge it. It’s a pity that a dead man cannot do anything to thwart the schemes of unscrupulous grasping relatives. Or perhaps he can? It soon appears that he most certainly can.
It’s not Ingram or Ingram’s ghost that commits the subsequent murders - it’s his disembodied hand. Someone or something is also playing Ingram’s piano and Conrad, a trained musician himself, swears that it must be Ingram - the style is unmistakeable. There’s no-one at the piano - just the hand.
Making a disembodied hand convincing has always been a challenge to special effects department but in this film it’s done remarkably well. It’s not only convincing - director Robert Florey knows just how to use the hand for maximum creepiness and shock effect.
Florey was a quite prolific director of mostly B-features who made a handful of notable horror films. He does a good job here, laying on plenty of gothic atmosphere and conveying a sense of both dread and madness. The madness comes from the fact that we’re not quite sure if something supernatural is occurring or not.
Curt Siodmak had many science fiction and horror screenplays to his credit. His basic idea here is a good one and his script is polished and literate.
Robert Alda gives a personable enough performance as the pleasant if indolent Conrad. Victor Francen is excellent as Ingram while Andrea King is a quite adequate heroine. Peter Lorre is in fine form as Hilary. Hilary is really a fairly sympathetic character - he’s weak and sometimes manipulative but all he wants is to be left alone to continue his occult studies. Unfortunately it seems that no-one understands how important his work is. He becomes increasingly frustrated and starts to lose his grip. His slow psychological unravelling is handled brilliantly by Lorre who knows when to underplay and when to start really going over the top. J. Carrol Naish provides some gentle comic relief as the charming but increasingly frustrated local police chief.
Horror movies were very much out of fashion in Hollywood in 1946. On the rare occasions when horror was attempted it was almost invariably undercut by providing non-supernatural explanations so the films ended up being merely horror-tinged mysteries, and more often than not second-rate mysteries. Happily there’s nothing second-rate about The Beast with Five Fingers. As to whether it succumbs to the lamentable temptation of providing a rational explanation - you’ll have to watch the movie for yourself.
On the whole this is a surprisingly effective and very entertaining movie, extremely well made and featuring a terrific Peter Lorre performance. The Beast with Five Fingers is highly recommended.
Jumat, 24 Juni 2016
Gadis Bule 18 Tahun (2015) Kumpulan Film Semi
Bule Umur 18 tahun. Penampilan seperti umur 20 an tapi masih imut-imut
Pasutri Saat Tidak Ada Ank (2014) Kumpulan Film Semi
Rekaman Pasutri yang sedang memadu kasih
Hayo tebak di daerah mana? :)
Pijat Untuk Wanita (2016) Kumpulan Film Semi
Pijat yang dikhususkan untuk wanita. Dijamin menegangkan lho :)
The Purpose Of Clubs (2016) Kumpulan Film Semi
Suatu hubungan orang dewasa yang telah berjalan menuju perkawinan. Akhirnya lelaki nya melamar kekasihnya dengan hal yang tidak lazim yaitu di sebua klub malam. Dengan pesta pora dan sedikit stipper ,klub tersebut didesign sedemikian rupa untuk melamar kekasihnya.
Kamis, 23 Juni 2016
Rabu, 22 Juni 2016
Senin, 20 Juni 2016
Minggu, 19 Juni 2016
The Incredible Petrified World (1957)
The Incredible Petrified World, made in 1957 but not released until a couple of years later, is widely regarded as one of the worst movies ever made. Movies that have been tagged in that manner often turn out to be very entertaining. The Incredible Petrified World, sadly, is not one of them.
The basic premise is fine. Professor Millard Wyman (John Carradine) has invented a new and highly advanced diving bell. Unfortunately on its first test something goes terribly wrong and the bell is lost. It had descended to such a great depth that there is no hope for the survival of any of the crew.
In fact they do survive. The diving bell had been swept into an underwater cavern and within the cavern is fresh air. More surprisingly there is apparently fresh water as well although why this should be is never explained. Our four aquanauts, two men and two women, are safe for the time being but the bad news is that they’re trapped in a maze of caverns far below the earth’s surface. They cannot swim back out into the sea because they’re much too deep and they have no way of knowing if there is any way out.
Of course the audience knows they will have all sorts of adventures in this hidden world, except that nothing of the kind really happens. They wander about lost, they stop to rest, then wander about lost some more. At one point they do encounter a fearsome giant lizard. It ignores them and they ignore it.
Eventually it does look like some actual adventure might ensue when they discover a skeleton and a strange old man who claims to have been living in the cavern for fourteen years. Surely now we will get some kind of payoff? Alas, although the old guy is a bit sinister very little really happens.
Meanwhile Professor Wyman tries to get together another expedition using another diving bell. He is determined to find out what went wrong with his original design. The scene in which he delivers a torrent of delightfully loopy technobabble explaining his theory of what went wrong is the highlight of the movie.
There are also the obligatory romantic entanglements and jealousies between the four trapped aquanauts. That would have been fine if such scenes had been used to engage our interest in between exciting action sequences but in the absence of any exciting action sequences they tend to be merely annoying.
Producer-director Jerry Warren was known for low-budget efforts such as this, none of them very distinguished. His stodgy directing style is a major part of the problem with this movie. He has no sense of pacing or of suspense and seemingly no ability to craft action scenes. He relies heavily on stock footage, which was common enough in low-budget features at this time, but the scary thing about this film is that you end up wishing there was more stock footage and less of the actual movie.
The acting is a huge problem also. John Carradine is fine. In fact he’s very good considering how little the script gives him to work with. The other actors are uniformly awful. Bad acting will not necessarily sink a low-budget sci-fi flick but dull acting certainly will and these actors are devastatingly dull.
Strangely enough one of the things this film doesn’t suffer from is an excessively cheap look. The diving bell looks OK. The cavern sequences (which make up most of the movie’s original footage) actually look pretty good and pretty convincing. Some of this footage was actually shot in real caves in Arizona.
This film is public domain and the copy I saw was terrible although I told that Something Weird’s DVD release is excellent.
The Incredible Petrified World is by no means the worst movie of all time but it’s fairly bad and lacks the energy and sense of fun to compensate for its artistic deficiencies. Not really worth the effort.
Sabtu, 18 Juni 2016
Jumat, 17 Juni 2016
The Escort (2015) FIlm Semi Terbaru
Wartawarti yang putus asa sehingga membuat diri nya terjun ke dunia prostitusi kelas atas.
Kelas tinggi adalah dunia dia. Meskipun menjadikan diri nya sebagai penjaja seks tetapi Ia menjadi seorang pemilih. Tidak sembarangan orang yang bisa mendapatkan Jasa nya/
Taboo Forbidden Love (2015) Film Semi Terbaru
kisah percintaan yang terlarang antara seorang pria dan adik ipar nya.. cinta terlarang mereka sampai akhir cerita tidak diketahui oleh orang banyak, namun di hati mereka timbul penyesalan yang sangat mendalam . Kehidupan seks dan duniawi membuat mereka gelap mata
Study Dorm (2015) Film Semi Terbaru
Dalam bahasa indonesian adalah kosan mahasiswa. Yang bisa dikatakan menjadi tempat para mahasiswa berbuat asusila. Film ini bercerita tentang dorm yang menjadi tempat mahasiswa berkumpul. dan berbuat sesuka mereka
Rabu, 15 Juni 2016
Love Copyright (2015) Film Korea Semi
Kisah cinta yang yg sejati dimana mereka berdua saling mencintai meskipun beda keyakinan.
Love at the End of The World (2015) Film Korea Semi
Film semi korea yang bercerita tentang cinta 2 wanita ynag merupakan sahabat kepada 1 lelaki. Banyak pergumulan Hati dan diisi dengan intrik kehidupan serta memiliki pesan moral kepada penontonnya meskipun film ini berbau unusr Semi.
Japanesse Style (2014) Film Online
drama semi yang mengisahkan perjalanan hidup seorang pembantu di Jepang.
banyak dibumbui kisah asmara terlarang tetapi sangat menarik untuk ditonton karena banyak adegan panas . :)
Selasa, 14 Juni 2016
Watch A Brothers Temptations
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Senin, 13 Juni 2016
The Body Snatcher (1945)
The Body Snatcher was one of the later RKO horror B-films produced by Val Lewton and was a major commercial success for the studio. It was shot in 1944 and released in 1945. It was the first of the three Lewton films to star Boris Karloff (actually Isle of the Dead should have been the first but production was temporarily halted and it was completed after The Body Snatcher).
It was based on Robert Louis Stevenson’s story of the same name which was based in turn on the infamous West Port Murders (for which Burke and Hare were believed responsible).
The story takes place in Edinburgh in 1831. Dr MacFarlane (Henry Daniell) is not only a very prominent doctor but also a renowned teacher at Edinburgh’s famous medical school. Like his predecessor Dr Knox (who was involved in the Burke and Hare case) Dr MacFarlane has one major problem - the immense difficulty of obtaining a sufficient supply of cadavers for his students. His main source of supply is a cabman named Gray (Boris Karloff). Gray has a knack for supplying bodies when needed. The bodies in fact are obtained from grave-robbing.
In the West Port Murders case it was alleged that Burke and Hare not only robbed graves but also hastened the deaths of the unfortunates who provided the cadavers. We have our suspicions right from the start that Gray may well be doing the same thing. Dr MacFarlane certainly has very strong suspicions but he dare not voice them. For one thing he himself could well be implicated in any investigation. Secondly, he wants those cadavers for his students. And finally, it is clear that Gray has some sort of hold over him.
MacFarlane’s new assistant, Donald Fettes (Russell Wade), wants to give up studying medicine entirely when he discovers Gray’s activities. He is persuaded not to do so by MacFarlane. MacFarlane argues that the benefits for society (more and better trained doctors) outweighs the evils of grave-robbing and possible murder. To what extent both MacFarlane and Fettes have really convinced themselves of this we are not really sure but the internal moral dilemmas faced by both men provide much of the movie’s impetus.
There’s a sub-plot involving a little girl who needs an operation in order to be able to walk again, and Dr MacFarlane is the only man capable of performing it. This sub-plot could have been merely an excuse to indulge in some cheap sentimentality but it’s used quite cleverly in order to give us a much greater insight into Dr MacFarlane’s very troubled mind.
Lewton was more interested in movies that explored interesting psychological states rather than just horror pictures as such. The basis of his success at RKO was his ability to produce movies that combined both psychology and horror. In The Body Snatcher the real core of the story is the complex and unhealthy relationship between Dr MacFarlane and Gray and the resulting psychological power struggles between the two men.
Like all the Lewton RKO productions this movie is more character than plot-driven. This means that the actors are required to do some real acting. That proves to be no problem. Karloff was delighted with his role, realising instantly that it was going to give him the opportunity to really show his acting chops. He delivers a superb performance. For Henry Daniell it also offered one of his best roles and he made the most of it.
Karloff and Daniell dominate the movie entirely. Russell Wade is more than adequate but inevitably he is hopelessly overshadowed. Bela Lugosi is relegated to a minor role which he carries off reasonably well (this was to be the last film in which Karloff and Lugosi appeared together).
For this film it was going to be necessary to evoke the feel of early 19th century Edinburgh. Medieval Paris might not sound like an ideal match but Lewton realised that standing sets built for The Hunchback of Notre Dame would in fact be quite suitable for this purpose.
The original script for The Body Snatcher was written by Philip MacDonald but it was Lewton himself who was responsible for the final shooting script (although as always he used a pseudonym for his writing credit).
Lewton was one of that small handful of producers who not only wanted to make a genuine creative contribution to their movies but also had the talent actually to do so. Perhaps even more importantly he seemed to have the ability to do this without treading on the toes of either his directors or his writers. One of the most effective scenes in the picture, in which a young street singer is seen walking away from the camera down a street leading into a kind of tunnel, was (according to Robert Wise) one of Lewton’s ideas.
Lewton had given Robert Wise his first opportunity as a director when he assigned him to complete The Curse of The Cat People. The Body Snatcher was his third film for Lewton. On the whole Wise does a fine job. He lacks the true visual genius of a Jacques Tourneur but The Body Snatcher is still an impressive-looking film.
The DVD supposedly includes an audio commentary track by director Robert Wise. What it actually is is a lengthy interview with Wise, but it’s still quite interesting even if he doesn’t have a huge amount to say specifically about The Body Snatcher.
The transfer featured on the DVD is superb.
The Body Snatcher is not quite in the top rank of the Lewton horror films but it’s a good movie nonetheless, offering the usual Lewton blend of intelligent thoughtful horror (particularly impressive in this case with subject material that would tempt most film-makers to take a much more sensationalistic and exploitative approach). Highly recommended.
Minggu, 12 Juni 2016
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